Kilted Farmer Koncerts and Ground Zero present…
Thursday, November 8, 2012
Also featuring music by DJs Nitrogen and Noise throughout the evening
Doors 8:30 pm, 9:00 pm show, 18+
241s first hour after doors
Tickets $12 in advance from Brown Paper Tickets / $15 at the door
15 4th Street NE
Minneapolis, MN 55413
From Metropolis Records
Tom Shear began constructing music at home under the moniker Man On A Stage in the late 1980’s. Most of the music was very simplistic and poorly constructed, with no vocals at first but as time went on they occurred more often. While working on Man On A Stage, Tom Shear also was playing bass live for a punk-influenced band collectively known as the Advocates.
In 1988 at a Depeche Mode concert, Assemblage 23 was born. Tom was amazed by the industrial dance music that the opening DJ was spinning. His love of the electronic synth-pop sounds mixed with heavier darker aggression proved to be an turning point for him.
While in college, in addition to working on Assemblage 23 non-stop, Shear also collaborated with two friends, Mike Ukstins and Matt Guenette on a synth-pop project, Procession. The band didn’t last long, but provided Shear with performance experience and practice. At first, Assemblage 23 was more of a hobby for Shear rather than a permanent project. There were occasional attempts and demos sent out, but when they lead to no interest in the band, Shear reverted back to making music for fun and his friends. In 1992, he self-released a collection of songs called “Wires”. Several radio stations began playing the new act, and fledging magazines, such as Industrial Nation, began to show interest.
But it was a side project of Shear’s called Nerve Filter that helped Assemblage 23 get some much needed recognition. On a whim, Shear sent copies of Assemblage 23 and Nerve Filter to Peter Stone of Xorcist, who in return handed them over to Don Blanchard of the now defunct 21st Circuitry Records. However, Blanchard’s interest was not in Assemblage 23 but in Nerve Filter, although, a few Assemblage 23 tracks would later be released on several compilations. Arts Industria released the first ‘official’ Assemblage 23 song “Graverobber” on their Construction No. 009 compilation. Several more times Shear sent out demos to various labels, and even while being frustrated by the lack of interest, he still wrote more Assemblage 23 songs.
Finally in 1998, the Canadian label, Gashed Records signed Assemblage 23 and released their first album,Contempt in 1999, and the follow-up, Failure in 2001. Shortly after the release of Failure, Assemblage 23 had a falling out with Gashed Records and left the label to sign with Metropolis Records, who later that year re-released both Contempt and Failure. With only those two albums, Contempt and Failure, Assemblage 23 became one of the biggest names in industrial and EBM music today.
To further the American electro act’s success, a third album, Defiance, was completed for October 2002.Defiance pushed Assemblage 23’s sound to the limits of only the imagination. Signature melody constructions, driving rhythms, non-stop beats, and highly emotional and personal lyrics made Defiance a logical follow-up to the widely reveled Failure.
For 2004, Assemblage 23 returned with two singles, Let the Wind Erase Me and Ground, and their fourth albumStorm. Dubbed the most complex Assemblage 23 release thus far, Storm experimented with innovative sound compositions and elements, solidifying A23’s position as the most successful American EBM act to date.
Two and a half years passed after the release of Storm, Assemblage 23 released the Binary single, and Metaalbum. Several tracks on Meta have the signature A23 sound while others are slightly different in approach. The album was a giant leap forward in the way of Assemblage 23’s sounds production and shattered any and all preconceived notions about the band and their music.
In 2009, Assemblage 23 released the Spark single as a precursor to his newest album, Compass. Each output shows a more polished and mature sound. Solid beats, interesting melodies, and meaningful lyrics give the album a dynamic clarity. From the intensive opening track, “Smoke,” to the danceable “Impermanence” through the heart-wrenching closing track, “The Cruelest Year,” Compass takes Assemblage 23 to the next level with each unforgettable song.
Hailing from the unlikely industrial locale of Arkansas, sonic scientist James Esper toiled quietly away in his laboratory for many years carefully crafting a mixture of jackhammer EBM basslines, soaring synth-pop melodies, and punchy club rhythms. Now it is time for his audio weaponry to be unleashed on an unsuspecting world. “Dying Life”, is that audio weapon, a 10 track album produced by Assemblage 23’s Tom Shear. Espermachine will be joining Assemblage 23 as support for their 2012 US Bruise tour.
Thought Thieves are a synth pop band. It’s pop in the same kind of way that the Cure is pop…. but more dance/synth oriented….. and getting more synthy as they go… They lug 7 keyboards, drums and guitar to live shows and let it all out…
Their first EP, “All I Pretend”, debuted in April 2009. Their second EP, “Krista”, launched in April 2011, and we are currently recording what we feel is our best music and look to have another disc out in 2012. The group has been featured in the Twin Cities Electropunk compilations and has opened for national acts like Lords of Acid and Anything Box.